![]() Oppenheimer was a theoretical physicist and directed the Los Alamos laboratory in New Mexico during the Second World War, overseeing the research and design of the U.S. “Oppenheimer felt that the super-bomb was not a military weapon so much as a weapon directed toward the annihilation of people.” Ryan Di Corpo, a f ormer O’Hare Fellow at America and the current managing editor of Outreach, reviewed the movie for America recently, calling it a “heady, visually arresting and ultimately terrifying tour de force.” The film, he wrote, “is both a startling re-examination of American history through the piercing eyes of a man who shaped it and a bleak warning about the nuclear age.” Sherwin (which was reviewed in America by noted poet Kelly Cherry), “Oppenheimer” tells a somewhat sensationalized version of the life of the “father of the atomic bomb,” J. (I have the correct movie here, right?) Based on the 2005 book American Prometheus, by Kai Bird and Martin J. ![]() Pink has replaced black as the color de jour around town these days, apparently in response to Christopher Nolan’s new biographical thriller “Oppenheimer,” which audiences love and many culture-war pundits and politicians hate.
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